travel far now
  • About Me
    • Newsletter
    • Image Gallery
    • Contact Me | C.V.
  • Writing
    • Journalism & Essays
    • Poetry
    • Public Poetics
    • Blogs & Social Media
    • Residencies & Awards
    • Transit Slips
    • Writing Philosophy
  • Editing
    • Books
    • Editorial Services
    • Editing Philosophy
  • Consulting
    • USA
    • East Africa
    • Consulting Services
  • Teaching & Learning
    • Workshops & Offerings >
      • Creative Writing: Zanzibar
    • Inquiry & Scholarship >
      • Kanga Research
    • Break Arts
    • Teaching Philosophy

travel far now

an archive of rants & revelations from life on the road

contrary essays

On bad love, intercultural 'othering' and the longing to belong

4/10/2026

0 Comments

 
Picture
PAPASI—SWAHILI SLANG to describe the men in Zanzibar who solicit foreign women for all kinds of services—tours, sex, food. The word “papasi” means “tick,” the kind that clings to your skin and sucks your blood and makes you sick.

It’s an unfortunate yet somewhat accurate term to describe the aggressive, relentless stalking of these men who won’t take no for an answer. They’ve convinced themselves that their livelihoods—and status—depend on it. They know you’re lost and promise to help you find your way through the labyrinth.

It took me years to understand my ex as an overgrown beach boy with a Finnish prison record. Every woman who gets entangled with a guy like this wants to believe that she’s the exception—and I was no different. I firmly believed, for a time, that what we had between us was love.

Our story began at a night market—he was sitting on a bench smoking a cigarette—and I was sitting on the grass with a soggy paper plate of seafood on my lap. We made eye contact. The next night, he greeted me as I was leaving a restaurant on the main tourist drag (King Fish & Chips, of course). I realized much later that he’d been waiting for me for hours by the entrance.

I followed him to a club that night to hear a woman sing taarab, the island’s signature lament. Why I trusted him to lead me through the zig-zag streets of Stone Town in the dark to this club on the outskirts of town is still beyond me. But he was, in his own way, relentless with quiet confidence and a bit of charm. I liked his long dreads, a softness in his demeanor, the insistence that he didn’t need anything from me.

Our lives intertwined in a messy knot after that. It took me years to unravel from the entanglement. I had to get the police involved—he found it hard to take no for an answer. I managed to move around the islands as a single woman but everyone still insisted on referring to me as the “wife of____” and it enraged me.

He stalked me, limp and all. He showed up drunk in a dirty white singlet, in a pair of Levi’s I’d bought for him from home, green flip-flops on his feet, asking for my forgiveness. He crashed motorcycles, appeared out of nowhere with gashes in his legs and scratches on his arms, his skin always reeking of beer, needing to speak to me.

My association with him filled me with shame, and I tried daily to reframe the situation as a victory—every time I clinked glasses on a palm-studded beach at a fancy restaurant with other foreign friends—feeling free of him. But as long as I stayed there he would never let me forget that I’d given him a chance and he clung to the idea of our connection until I eventually left.

Was my ex a papasi? I still think about that. He certainly took notes from the playbook, had grown up on the islands, knew how it all worked, what was at stake, which resources were available, from whom. He was a bit older than a classic “beach boi” when we met, so out of the range of the usual definition of one, but still, considering the way we met (me, tourist, him, local) and the way it ended (me, resident running, him, local, chasing), says a lot.

I was in my 30s when we met. Having had a series of failed loves in Chicago, I moved to Zanzibar during the most “fertile” years of my life and hid out in impossible relationships for the duration. I wasn’t ready for all the cultural scripts of home—marriage, children, a house. As much as I want to blame my ex for what unfolded between us, we were in a complicated play performed for centuries, and we were just two more actors on the island’s stage. 

Anthropologists have studied the “intercultural othering” that occurs in these relationships—the messy webs of power, identity and tourism that creates these kinds of dynamics. I still want to believe that travel fosters cross-cultural understanding but we also know that it reinforces and solidifies dramatic imbalances that often leads to heartbreak, at the very least.
​

When I take inventory of the signs—the red flags—it’s easy enough to blame all the shenanigans between us on my ex. It’s taken me a long time to hold up the same scrutiny to my own sense of self that set the conditions for this kind of bond, rooted not in love but the desperate need to feel like I belonged.
0 Comments

Picture your heart as the perfect apple

4/9/2026

0 Comments

 
Picture
PICTURE YOUR HEART as a perfect apple—a line from an old poem I can no longer find in my records. I’ve written so much that the archives feel like a hoard or a hive and either way, unapproachable. I go digging for the gold the way one approaches a packed basement, hoping for something worth saving.

Hypnosis is a kind of play familiar to children who still know how to suspend reality and sustain the fantasy. I remember deep immersion in full-blown dramas with other children behind closed doors that would last entire evenings as our parents drank coffee and complained about the state of things. When it was time to go, we groaned, having to unspool the story we were spinning.

The parallels between hypnotic suggestion and writing have me wondering what else we’re ignoring when it comes to healing, faith and creativity. When I lead a writing workshop, I’m guiding writers to visualize themselves in other states and frames--to walk up close to the tree inside the dream in one’s mind and study its shape and bark. “Picture this,” I say. “What’s taking your attention,” I ask, only after the imagined arrival. And when it’s time, I welcome us all back to the room.

When my mom died, my capacity to imagine—like a river—dried up. I could not picture anything—just infinite darkness, eyes shut or wide open. This was shocking for a poet who made a living at one point helping others tap into this capacity to see beyond the obvious.

In an act of desperation, I tried EMDR — eye movement desensitization processing — during the depths of the pandemic, taking long drives into the city at night from Skokie for strange, candle-lit sessions with a therapist. The streets were eerily empty in those days. For the first time in years, I started to dream again, to think and feel again in images. We never called it hypnotherapy but I am beginning to refer to it as such.

Let your mind float, from one image to the next, my therapist said. Link up with feeling and association, shake the memory tree with all its skinny branches of shame and shock. I was guided to grasp at sounds and symbols, listen for visions and voices, rumors and rooms long ago locked and buried.

I’ve had plenty of time since then with the old poems, sifting through boxes and boxes of bad ideas in the basement packed down around a few good ones, all musty and moldy with time—and I marvel at how they still managed to survive skunk invasions, possum piss, cockroach crumble, feral cat carcass, squirrel swarm, rabid rabbit stench! Feathers and shells, hair, fur, webs, nests.

I shredded many of these old documents, yet through self-hypnosis I know now how to restore, revisit, revive, and revise any narrative line that crosses my soul’s path. There are grand libraries within us of personal records—ancient hallways, elaborate painted ceilings of our hero’s journey painted into the skies! We can access any of these truths at any time, bend them, too, for our healing and survival.
0 Comments

On mutuality and momentum, creative writing as self-hypnosis

4/8/2026

0 Comments

 
Picture
Looking up, the interior ceiling of an ancient hammam in Stone Town, Zanzibar.

MUTUALITY AND MOMENTUM: the double helix of creativity. This pairing came to me in a flash—I was asked to describe the characteristics I look for in a good editing relationship. Mutuality—a stepping inside the same ring of intention and staying within that circle for the duration. Momentum—the energetic forces propelling the two toward a third thing, the horizon-line a shared vision.

f you have one without the other—mutuality, but no momentum, or momentum, but not mutuality, conflict arises, the center cannot hold, so the saying goes. You find yourself on a fast-moving train through a tunnel with no sense of the tracks or guardrails, steep cliffs on either side. Or you find yourself clinging to the tracks, the two of you, with no train or destination.

With mutuality and momentum, a great field opens up to you and the world you’re attempting to inhabit—or make. It gets tricky with God in the mix as a collaborator. Faith is the ultimate paradox. How do we find words to talk about spirituality when the concepts defy language—exist beyond it? I notice a lot of us glitching to find the right syntax—the reaching and then overuse of words like cathedral, sanctuary, and altar to describe everyday longing for meaning.

Are we running out of words or just our capacity to access the imagination? The power to find connection between two disparate entities and put them into conversation with the other. The willingness to dig beneath the surface for new words sprouting in the wild undergrowth of these times. Mutuality—yes, let’s. Momentum, yes, let’s go.

And let’s let go.

I’ve been reading a lot about hypnosis as a way to heal from inexplicable ailments. What I’m realizing is that hypnotherapy is a lot like writing, or rather, creative writing is a lot like self-hypnosis. The power we give ourselves to time travel, reverse and unravel narratives, go back to the restaurant where we ordered the fish that caused violent vomiting and order something different off the menu! Under hypnosis, the power of suggestion alone can erase lifetimes of anxiety and disease, if you believe.


Under a writing spell, we can say the same is true. If I close my eyes right now, I can take myself back to the tropics—to a palm-tree state of consciousness—and spend two whole days in a dark room under a whirring fan covered in thin sheets, sleeping off the jet lag and letting my brain relearn the call of certain birds that only exist here. 

When I lead creative writing exercises, I use very similar techniques as a hypnotherapist—to mine stories and images from the theta state. It’s not that we’re getting very sleepy, it’s that we’re getting very alert to other rooms in the mind’s mansion. When the body’s deeply relaxed and the mind’s lucid and awake, mutuality and momentum.

If you’re not there, it’s easy to giggle through a hypnotherapy session. The one I listen to at night on YouTube reminds me of a melodramatic auctioneer, playing with cadence and flair. But strangely enough, she takes me there, to the deep down places where language doesn’t travel.
 And in these states, I relate to various realities unavailable to me when I'm awake. There's something about the depth, for lack of a better term. 

I went a few years ago to a therapist who specializes in past life regressions, and she also led me down an escalator in an airport to a deep down place where I then looked at my feet and discovered burlap sandals instead of the black boots I’d worn when I walked into her office that freezing cold spring day. I watched at least one version of myself die—according to this session—mutuality and momentum at work—I was a holy scribe!

In other lives (inside of this one) I’ve been a gardener, a narrative audio producer, a sound collector, a bread baker. In future lives, perhaps a bespoke perfumer; a tarot card reader, a hypnotherapist.

0 Comments

On sun worship, absurd headlines, splitting worlds

4/7/2026

0 Comments

 
Picture
A selfie of me and a fake sun, the harsh lightbulb inside a Target dressing room, circa 2010.

​IN A SINGLE CONVERSATION, we address gender construction, teleportation to a Waffle House in Georgia, prom etiquette in the age of AI, absurdist after-life headlines, ayahuasca trip visions—that one lady who saw her sister as a dense purple rock.

There’s only so much content we can consume in a day’s scroll before we start to question the nature of reality—this “splitting of worlds” through absurdism. When we see absurd headlines, some of us will want to call out the delusion, others will file it away as signs of spiritual awakening. That the New York Times ran the story—about the FEMA official who swears he was teleported multiple times to a Waffle House—is beyond me, and sets a dangerous precedent.

And yet, a red cardinal just flew past my window and I’ve convinced myself that he’s my father, flitting away with his day after a quick wave-wink of his wing. We’re struggling to hold all possibilities in the absence of any solid path out of the present, chaotic moment.

A war-mongering maniac has taken the wheel and we have to keep waking up—many of us without work—to make it through another day without losing it. It’s an hour-by-hour kind of arrangement, isn’t it?

Nearly 100 years ago, life may have been very similar, at least according to Thomas Merton, who documented his time as a student at Columbia University in 1935, and described the mayhem and fervor with which communists on campus snarled at anyone who raised a question about their tactics and morals. Taking an anti-war stance is one thing, adopting the tactics of your enemy to enforce it is quite another. At some point, time itself lifts the veil on all these contradictions.

“[Communists] are always crying out against the injustice of capitalism and yet, as a matter of fact, they very often say in the same breath that the very concept of injustice is simply a myth devised by the ruling classes to beguile and deceive the proletariat,” Merton writes.

Bless the young radicals who still have a heart, bless the tender ones who worry about water supply and try to reverse the curses cast upon us so long ago; bless the visionaries who vouch for another way through the caves toward commencement; bless the ones who have figured out how to care without the brand deals.

We need a porch revolution, it’s obvious. Sun worship is another option. I follow a young kid on TikTok who believes God found him through rays of sunshine beaming through his window. If I view his videos in the morning, I worry about the kid and wonder how he’s gone so far astray—feels like he needs a friend. If I view his videos at night, he’s a prophet and I’m ready to denounce my life to join his sun-worshipping services at any moment.

0 Comments

On lake spirits and what it means to know a place

4/4/2026

0 Comments

 
Picture
I TOLD MY PARENTS I would not return home from Zanzibar until I was ready, but I never felt ready so I never returned, until the pandemic boomeranged me back to the places I lived before I decided I was brave enough to move.

On one visit home, my father sat me down at Marilyn’s for a late breakfast and encouraged me to consider marriage and dismiss the discouraging example my parents had set for a good one. I told him I would think about it, but I never gave it much thought after that. Marilyn’s is now a Korean chicken spot, and it’s really good.

Until I left home, I shared a room with my little sister. I remember the posters I purchased as decor via Scholastic—grand prehistoric dinosaur scenes in vivid colors. I seemed to have had a thing for archaeology when I was a teenager. I chose dinosaurs as the invite for my bat mitzvah party at Lou Malnati’s too, and I begged my parents to let me spend a summer in Cortez, Colorado on an archaeological dig at Crow Canyon.

There was a time when I believed I could make direct contact with spirits from the past and I fell in love with Native American cultures and got a volunteer gig at the local museum, cataloguing Indigenous objects in the back room. I was around 15 and I thought this work was noble, so I learned how to bead the four directions on my jean jacket and read “Black Elk Speaks,” and attended a pow-wow sponsored by the American Indian Center in Chicago but at some point in college, I got the message that obsessing over native cultures was not “appropriate” and so I stepped way back and held on to these questions and connections in distant admiration.

I know Skokie, but not all of its swamp history. I know Zanzibar, but not its secret politics. I know Chicago, but not every story, just my father’s, the Kedzie-Humboldt ones, and only a few! I know Michigan, but the Michigan of my mother and her siblings, nothing else. South Haven, blueberries, the lake. I know Cambridge, too, but only for a year, an intellectual interloper of a kind. I swore I ran into at least one time traveler there who wore a cliched trench coat! Maybe one day I’ll know New Mexico, something more about Abiquiu, something more about Tesuque.

I thought I knew something about Wisconsin, we’d driven there enough times as a kid, but I really only know the murk at the bottom of Lake Delton, the mud slime between my toes as I tried to learn how to swim and failed and nearly drown and kept trying but remained evermore in level red, the shallow end, where tiny tadpoles jumped around my waist, and I had to let my counselors drop iodine in my ears after every session and amber liquid leaked around my freckled shoulders and I, in general, would have rather read a book in the shade!

One time, a close friend who is no longer a friend for reasons I will never quite understand convinced me to go with her to Devil’s Lake. We scrambled up the steep path to the tippity top of these rugged rock bluffs and I was resentful with exhaustion and sweat by the time we got to top but also an eagle soared overhead and the silence was a gift. It made me mad that she had not spent a moment considering my comfort or capacity, but there I was congratulating myself for what felt like a grand achievement—a quiet moment with awe-inspiring nature.
​

This hike to the very top, and then the solo dip in the cool pool of the lake later that afternoon, was a corrective experience. Like I said, I’m a terrible swimmer and I don’t love water immersion but I remember floating on my back that summer day in the middle of the lake surrounded by rugged cliffs and understood why the HoChunk revered this body of water as sacred. I felt held by ancient spirits, cradled like a baby in its infinite arms.
0 Comments
    Creative Commons License
    Essays by Amanda Leigh Lichtenstein is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

    Transit Slips

    April 2026
    March 2026
    February 2026
    October 2017
    July 2017
    December 2016
    March 2015
    July 2014
    June 2014
    April 2014
    March 2014
    November 2013
    October 2013
    September 2013

Proudly powered by Weebly