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travel far now

a sporadic archive of rants & revelations from life on the road

substack essays

On the trippy details of a past life as an acrobat in a sad love circus

4/30/2026

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ON MUSHROOMS, the twin baby tigers dancing in the corner of my mind’s eye felt like love. I was in a living room with a lover who often ignored me and I loved that for me. Before we ate the mushrooms, he prepared a simple salad of lettuce, salt and olive oil. I thought this culinary move was an act of genius.

Whenever we had sex, I felt his ex in the room, staring at us. He mentioned her often enough to cast her as a ghost actor in the short film of our affair. Her brother, a heroin addict, also hung around in our play, though I never met him, I blamed him for the bad behavior of these older influences in my life when I was in my late twenties.

We met at a corner bar, and that’s where I’d continue to meet this beautiful, lanky freak with his thick head of curly hair, gorgeous angular jawline, and gap-toothed grin. Standing in a sea of sweaty people, I looked up at him on stage—wailing into the microphone—and told my sister and her boyfriend I had to spend at least one night with him. I wrote him a note on napkin, tucked it into his pocket between sets, and pedaled home on my vintage red Schwinn, hoping he’d appear at my doorstep later that night.

And he did—arriving with his sour, hot breath and energy yet left to kiss in the tiny red room at the back of my flat by the kitchen, just under the train tracks. The two of us were tall enough that if we both stretched out, we could touch our feet and arms to the walls on either side, the room was that small. We made out like acrobats in a sad circus and after that first night, he gave me just enough attention to feel that a connection could happen again.

(I’d never be this bold again).

The problem with loving men like this is that they’re not lying when they say they love you—just that they forget when you’re no longer right in front of them. I’d stalk the perimeter of his existence, thinking we were friends that could slip in and out of romance with a few drinks and a twinkly night sky. He scratched out poems like prayers, he liked wearing funky thrift store ties, he plunged the depths of his sorrows and came up to the surface with beautiful songs—oh, and he had a divine British accent. Forever, far away from here.

I still have a few emails we exchanged. In one he thanks me for the Tolstoy book I gifted him, Resurrection, though I have zero recollection of that book or the gesture.

The night we ate mushrooms, I remained alone in his living room for hours, talking to the furniture as family members. I’d somehow assigned them archetypal roles and interviewed them, performing a witchy kind of self-therapy until the sun came up. And then I climbed into bed with the man who had promised to take me to see the swarm of cicadas and realized that the ghost of his ex would forever be staring at us every time we tangled up together like this, from the edge of the bed.

It stunned me the day he called from a therapist’s office to tell me that he was getting back together with his ex, that this call was on speaker phone with his ex present, that this call was a breakup call, that he could no longer speak to me, that this was over, the end. I complied, said goodbye. No tears, just a ton of underground confusion that pulsed like electromagnetic waves on the ocean of my directionless desire.

I ran into him once at the same corner bar where we’d met—he was drinking alone and his breath smelled like garbage in hell, his clothes soiled with the grease of grief. I gave him a hug and said it was nice to see him but the state he was in scared me and made me squeamish with embarrassment that he’d ever seen me naked.

I supposed it burned a bit to learn that this man later slept with a mutual friend long after I moved away. He never made it with his ex after all, instead fell in real love with a plump singer with bright eyes and bought a house for a dollar in a destroyed city and documented the renovations on social media.

It took me some time to make peace with the biggest truth—that he’d set me free with each ignored text or call—and I thank him now for allowing us both to disappear into a brand new day.


(Can you tell I’m reading “Famesick,” by Lena Dunham?)
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On reading the day as tarot, your life as a deck of cards

4/28/2026

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Mrs. Tucker, surrounded by her Old English Sheepdogs, in her garden at Haslemere, Surrey, October 1929, from Instagram | ahistoryofdogs | Fox Photos Getty Images
PULL THREE IMAGES from your life and read them as tarot cards. This is a game I like to play with myself and anyone else who tends to believe in synchronicities and the power of visual metaphors to guide and shape our lives.

Take, for example, a seemingly ordinary day at the park. I’m walking in circles to get my steps in when my higher self pulls the first tarot card: a pair of sheep dogs. I boomerang back to my childhood home, where my dear old sheep dog Bessie is still shepherding us to bed, nudging her head between our legs when we’re crying or screaming, running wild laps in the backyard and barking at the birds.

Now I’ve been dreaming of sheep dogs for a while now. I think about adopting one just like our sweet Bessie dog, but I’m not sure yet that I can handle the responsibility. So when I see a pair of sheep dogs promenading through the park, I perk up and pay attention to the dream seeds I’ve planted in future soil. I learn their names are Hondo and Harry, that they’re friends, not brothers, though they look alike, that they’re playful and exhausted after time in the dog park. One sits, the other pants. They both beam love into my being from their shaggy eyes.

I’m walking, I’m walking, and then my higher self pulls the next tarot card: an older woman riding a tricycle, with old songs blaring from the radio on her phone, tucked into the basket in front of her. She waves to us as she pedals. We wave back with big grins. I try to catch the Sinatra song I hear. My boyfriend notices that her right back wheel is a little wobbly. It looks like she has to pedal a bit too extra hard to make it work but ahead of us she soars on her tricycle of dreams, enjoying the wind and sunshine as she waves back at us.

And I’m thinking about what kind of free, old woman I’d like to be in the near and distant future, whether my hips will allow me to bend and walk in circles like this a few years from now, whether I’ll still be longing for songs to blare, whether I’ll care at all for song or psalm. And there she goes, a vision of what’s possible, a card pulled from the universe of all possible visions of an elder, and it’s this—carefree and joyful—a return to childlike whims and circumstance, riding one’s tricycle through the park on a sunny day, wobbly wheel and all.

I’m walking, I’m walking, and then my higher self pulls the final tarot card of the day: a queen quinceañera teen in a shimmering pink gown, stepping out of a black car and into the park, her dress pulling her toward the bridge, drenched in sunlight. Even the geese take a beat to marvel this beauty as she seems to float through the park, her entourage behind her, making sure the gown doesn’t drag through mud puddles. And she walks with a small smile on her face, as if performing the role of a life time, pleased with the scene.

And I’m thinking about why shiny pink ball gowns still matter, to squirm our bodies into fancy clothes and fucking celebrate the wins and milestones, to paint our faces and adorn ourselves with jewels and pose for photographs in beautiful parks, with geese and birds as supporting actors in the grand play. It matters because life is a miracle and waking up is a dream, and it’s still worth it to make a celebratory scene of our tiny, long lives.
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Try it—pull three images from the day and find a way to fill each with significance, like blowing air into a balloon, tying it up, and releasing it into the atmosphere. Maybe that’s a bad metaphor—don’t release those colorful plastic orbs of breath into the air—it’s terrible for the environment! So, just collect each image like a photo or a painting—perhaps even reproduce it as a tarot card—sheep dog, woman on a tricycle, teen in a shimmering pink dress—and pull them anytime from your mind when you need a reminder of the magic of the everyday.
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On the moon as a traveler and making a world appear

4/24/2026

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IMAGINE THE MOON as a traveler—leaving and returning in cycles of light and shadow. This is not an original idea, it’s one that essayist Yoko Tawada writes about in describing the unexpected pleasures of mistranslation. Most poets have gotten bad moon advice—never write about it, we heard—but the moon is the first guest we receive at the poet’s table, how could we not serve her?

A crisis of faith: I’m at that part in the Thomas Merton autobiography when he details a misery so deep as to disturb an otherwise clear desire to give up his life for god. Have we all been there? Well, not on the precipice of monk-hood, but at the brink of a major life transformation in need of a jolt from the divine?

I remember once thinking I had no choice but to quit college. I called my mother from a payphone. “So come home,” she said. I packed my bags. Dragged them all the way to the Amtrak station in Kalamazoo on an icy cold winter night. I waited for the train—and when it finally arrived, I could not bring myself to board it. I started to miss the hatred I felt for my campus and all the people I'd have to face there! So I turned back and settled into my room with the quiet grace of a moon reporting for night duty.

The next morning, the sun shone a little brighter. The campus squirrels had just a bit more pep in their squirrelly step. And the crunch of the ice and snow beneath my boots offered a strange assurance that sent a message within my body to stay—to just fucking stay. The relief was miraculous—I think I even thanked god for ferrying the decision to me just in time. I felt so alone.
Later, I learned from a therapist named Nancy that I only had to be sure 60% of the time—the rest relies on faith.

I’m reading now about how consciousness is “an active force in the construction of reality,” and that every single element of human experience has some spark of consciousness within it, however infinitesimal. As travelers, “we make the road by walking,” writes poet Antonio Machado. The world appears with each step we take toward—what? The moon. And the moon is not always a metaphor (nor a conqueror's destination).

It always breaks my measly human heart to be reminded that plants, too, are conscious beings. The spiky aloe plants I inherited from my mother hold their grievances with me in obvious ways—dark blotches and sorrow at their tips—I am deeply sorry! I pride myself in the poetics of awareness but live in the shame of careless neglect. It’s on my to-do list to hold a special clinic for those that insist on their survival.

Past the initial crisis—on the other side of the moon—there is still life (not a still-life). A world appears when we step into it. A mistranslation is a surprise meaning. I could leave or stay and either way is correct. The train departed that night in Michigan. A girl turned back and chose a path. The moon returns nightly and we forget greetings or goodbyes. The maps we make tend toward the horizontal. But we all know we live in the vertical of heaven and earth. 
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On learning, spirit and becoming a conscious being

4/22/2026

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CONSCIOUSNESS CONFERENCES convene scientists to compete over dueling theories of source and refuse to use the word soul meanwhile to describe their search or purpose! I’m reading Michael Pollan’s latest, “A World Appears,” with a bit of impatience; I didn’t sign up for a boxing match when I borrowed this book from the library! So much “science” sneaks into existence as an excuse for men to argue.

To defend the deeper mysteries, let’s hold out for the unknowns. If the mind is a theater and consciousness is what appears on stage, it still begs the question of audience—who’s watching and chatting through the dream time of intermissions. Merton talks a lot about dreams and prayers overlapping in terms of intent and outcome. Dreaming and praying both demand a reaching toward and beyond the self for some kind of magic.

In elementary school, the only cards I collected were not saint cards but Garbage Pail Kids cards and Michael Jackson Cards, you could buy a five-pack with gum at the local 7-11 and sometimes I bought them with babysitting money but I also stole some on a few occasions and I don’t regret those transgressions as it gave me a true boost in dark times! Yes, the kids have inner worlds and we’re tending to them daily even as we must answer to the demands of public adults.

On a snowy Saturday in January in 1989, I became a bat mitzvah, a daughter of the commandments. I memorized my torah portion—exodus and moon time—learned to sing the sacred songs. But what do I remember most about that day? The way my rabbi stood there between my parents, placed his hands on my shoulders, looked me square in the eye, and told me I had to forgive the two people who had ushered me into this world. This holy man with a thick brown mustache knew of our familial strife and tried to stage a gentle intervention near the ark! 

In the middle of my ceremony, the rabbi leaned in to whisper this commandment into my ear. I winced and gave him the side eye. I was bleeding for the first time in my life that morning and I had no patience for men and their commandments, even if he was someone I thought I respected until that point. Rabbi, please, I implored with my eyes. Leave me the fuck alone and get me out of this itchy wool dress.

I continued to jump rope all through middle school, in-out-side-by-side-on-in-out. I continued to devour books like the Boxcar Children Series, giving me some kind of blueprint for radical independence—a world without adults of any kind to mind our minds, hearts or souls. We could do it! We could survive without interventions like school or synagogue. I realize now this was the rogue vision of a young poet and not a common refrain that ran through the brains of most young ones.

There’s a reason why priests and poets primarily concern themselves with consciousness and not scientists or psychiatrists. We speak to majestic magnolia trees; the deer come running toward us for communion when we’re in the woods; we let the mind flow like a river toward a single source—an ocean orientation—the illuminated path of utter awe.

School starts the minute we wake up and begins again with dream time.
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In praise of libraries as cosmic, communal spaces

4/20/2026

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IN A LIBRARY, I grew up among books and friendly librarians with balding heads and skinny ponytails who had my best interests at heart, I believed, and never shied away from a request. Where can I find the latest copy of Mad Magazine, I am sure I asked at least once in my early days. Steve, the librarian, always knew where to find the good stuff.

This week is national library week and I’m celebrating all the ways the library keeps us sane and sound and stitched together to one another, even in the darkest of times, even when our nation’s burning books and tossing them into garbage trucks and deploring them and finding them offensive, I just never anticipated this, having read Farenheit 451 as fiction when I was a teen.

My father constantly called the local librarians as his companions and collaborators—and they always obliged his requests. Toward the end of this life, he spent more time at home and hosted weekly live jazz shows in his living room. He spent so much careful time curating each playlist and he often needed refreshers on dates and composers and such. So he’d call up the library and chat away to the kind reference librarian on the other end of the line and it made him feel human and whole and the mutuality created the momentum to keep him going.

The library is a sacred place and it’s also a spiritual promise. The minute you step inside one it elevates the soul’s purpose, to ask questions and stay curious. I first heard about the idea of an inner mystical library from a woman who joined me for a poetry walk I was leading in Stone Town. She explained it as a “cosmic catalogue” that contains the entire universe of all souls’ experiences—past, present and future.

At night, I listen to guided meditations to take me to the cosmic library, but I usually fall asleep before I can access any information. The mystic and educator Rudolf Steiner claims he used the Akashic Records to access details about allegedly mythical places like Atlantis. Who knows what to believe unless you’ve seen it yourself and been there yourself and possess the desire to believe? Akasha, the Sanskrit word for sky.

May we all be inscribed in the next chapter of the Book of Life, we tell each other around every Jewish new year. It’s amusing but also kind of scary to think of God as a moody writer who determines which names get sealed into the book of life every year. If the book is a metaphor, the library extends it—to contain all stories, those that have already been written, those we are still living, and those still yet to come, with death being only one of many possible endings.

Where do we store these “indestructible tablets of the astral light" except in a library, after all? The library’s main promise is a collective one—a communal storing of all questions converted into possibilities—a third space, a central place to gather and ponder, exchange and rearrange the rooms within our hearts-minds-souls. I love going to the library, it just makes me feel better, knowing I’ve taken a step toward becoming a tiny bit more aware.

Some libraries are sad—the ones plunged into darkness and dust, the ones abandoned and neglected in the marbled ruins of their former glory, the ones punished by disrepair and lack of care, their steps cracked up to the doors of heaven—I like to visit libraries wherever I go and there find the will of the people and their wants and their hopes, however dashed or coded. Private libraries count, but the ones built specifically for anyone and everyone—the people’s library—offer the most communal promise.

Where do you find silence? The forest, or the library. Well, the library is a forest. And the forest is a library. Where do you find silence? The temple, or the library? So, the temple is a divine library, and the library is a divine temple. You get the idea. I’m riffing here, in honor of libraries, in praise of the spaces that offer a patch of peace.

Happy National Library Week!
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On bad love, intercultural 'othering' and the longing to belong

4/10/2026

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PAPASI—SWAHILI SLANG to describe the men in Zanzibar who solicit foreign women for all kinds of services—tours, sex, food. The word “papasi” means “tick,” the kind that clings to your skin and sucks your blood and makes you sick.

It’s an unfortunate yet somewhat accurate term to describe the aggressive, relentless stalking of these men who won’t take no for an answer. They’ve convinced themselves that their livelihoods—and status—depend on it. They know you’re lost and promise to help you find your way through the labyrinth.

It took me years to understand my ex as an overgrown beach boy with a Finnish prison record. Every woman who gets entangled with a guy like this wants to believe that she’s the exception—and I was no different. I firmly believed, for a time, that what we had between us was love.

Our story began at a night market—he was sitting on a bench smoking a cigarette—and I was sitting on the grass with a soggy paper plate of seafood on my lap. We made eye contact. The next night, he greeted me as I was leaving a restaurant on the main tourist drag (King Fish & Chips, of course). I realized much later that he’d been waiting for me for hours by the entrance.

I followed him to a club that night to hear a woman sing taarab, the island’s signature lament. Why I trusted him to lead me through the zig-zag streets of Stone Town in the dark to this club on the outskirts of town is still beyond me. But he was, in his own way, relentless with quiet confidence and a bit of charm. I liked his long dreads, a softness in his demeanor, the insistence that he didn’t need anything from me.

Our lives intertwined in a messy knot after that. It took me years to unravel from the entanglement. I had to get the police involved—he found it hard to take no for an answer. I managed to move around the islands as a single woman but everyone still insisted on referring to me as the “wife of____” and it enraged me.

He stalked me, limp and all. He showed up drunk in a dirty white singlet, in a pair of Levi’s I’d bought for him from home, green flip-flops on his feet, asking for my forgiveness. He crashed motorcycles, appeared out of nowhere with gashes in his legs and scratches on his arms, his skin always reeking of beer, needing to speak to me.

My association with him filled me with shame, and I tried daily to reframe the situation as a victory—every time I clinked glasses on a palm-studded beach at a fancy restaurant with other foreign friends—feeling free of him. But as long as I stayed there he would never let me forget that I’d given him a chance and he clung to the idea of our connection until I eventually left.

Was my ex a papasi? I still think about that. He certainly took notes from the playbook, had grown up on the islands, knew how it all worked, what was at stake, which resources were available, from whom. He was a bit older than a classic “beach boi” when we met, so out of the range of the usual definition of one, but still, considering the way we met (me, tourist, him, local) and the way it ended (me, resident running, him, local, chasing), says a lot.

I was in my 30s when we met. Having had a series of failed loves in Chicago, I moved to Zanzibar during the most “fertile” years of my life and hid out in impossible relationships for the duration. I wasn’t ready for all the cultural scripts of home—marriage, children, a house. As much as I want to blame my ex for what unfolded between us, we were in a complicated play performed for centuries, and we were just two more actors on the island’s stage. 

Anthropologists have studied the “intercultural othering” that occurs in these relationships—the messy webs of power, identity and tourism that creates these kinds of dynamics. I still want to believe that travel fosters cross-cultural understanding but we also know that it reinforces and solidifies dramatic imbalances that often leads to heartbreak, at the very least.
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When I take inventory of the signs—the red flags—it’s easy enough to blame all the shenanigans between us on my ex. It’s taken me a long time to hold up the same scrutiny to my own sense of self that set the conditions for this kind of bond, rooted not in love but the desperate need to feel like I belonged.
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Picture your heart as the perfect apple

4/9/2026

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PICTURE YOUR HEART as a perfect apple—a line from an old poem I can no longer find in my records. I’ve written so much that the archives feel like a hoard or a hive and either way, unapproachable. I go digging for the gold the way one approaches a packed basement, hoping for something worth saving.

Hypnosis is a kind of play familiar to children who still know how to suspend reality and sustain the fantasy. I remember deep immersion in full-blown dramas with other children behind closed doors that would last entire evenings as our parents drank coffee and complained about the state of things. When it was time to go, we groaned, having to unspool the story we were spinning.

The parallels between hypnotic suggestion and writing have me wondering what else we’re ignoring when it comes to healing, faith and creativity. When I lead a writing workshop, I’m guiding writers to visualize themselves in other states and frames--to walk up close to the tree inside the dream in one’s mind and study its shape and bark. “Picture this,” I say. “What’s taking your attention,” I ask, only after the imagined arrival. And when it’s time, I welcome us all back to the room.

When my mom died, my capacity to imagine—like a river—dried up. I could not picture anything—just infinite darkness, eyes shut or wide open. This was shocking for a poet who made a living at one point helping others tap into this capacity to see beyond the obvious.

In an act of desperation, I tried EMDR — eye movement desensitization processing — during the depths of the pandemic, taking long drives into the city at night from Skokie for strange, candle-lit sessions with a therapist. The streets were eerily empty in those days. For the first time in years, I started to dream again, to think and feel again in images. We never called it hypnotherapy but I am beginning to refer to it as such.

Let your mind float, from one image to the next, my therapist said. Link up with feeling and association, shake the memory tree with all its skinny branches of shame and shock. I was guided to grasp at sounds and symbols, listen for visions and voices, rumors and rooms long ago locked and buried.

I’ve had plenty of time since then with the old poems, sifting through boxes and boxes of bad ideas in the basement packed down around a few good ones, all musty and moldy with time—and I marvel at how they still managed to survive skunk invasions, possum piss, cockroach crumble, feral cat carcass, squirrel swarm, rabid rabbit stench! Feathers and shells, hair, fur, webs, nests.

I shredded many of these old documents, yet through self-hypnosis I know now how to restore, revisit, revive, and revise any narrative line that crosses my soul’s path. There are grand libraries within us of personal records—ancient hallways, elaborate painted ceilings of our hero’s journey painted into the skies! We can access any of these truths at any time, bend them, too, for our healing and survival.
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On mutuality and momentum, creative writing as self-hypnosis

4/8/2026

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Looking up, the interior ceiling of an ancient hammam in Stone Town, Zanzibar.

MUTUALITY AND MOMENTUM: the double helix of creativity. This pairing came to me in a flash—I was asked to describe the characteristics I look for in a good editing relationship. Mutuality—a stepping inside the same ring of intention and staying within that circle for the duration. Momentum—the energetic forces propelling the two toward a third thing, the horizon-line a shared vision.

f you have one without the other—mutuality, but no momentum, or momentum, but not mutuality, conflict arises, the center cannot hold, so the saying goes. You find yourself on a fast-moving train through a tunnel with no sense of the tracks or guardrails, steep cliffs on either side. Or you find yourself clinging to the tracks, the two of you, with no train or destination.

With mutuality and momentum, a great field opens up to you and the world you’re attempting to inhabit—or make. It gets tricky with God in the mix as a collaborator. Faith is the ultimate paradox. How do we find words to talk about spirituality when the concepts defy language—exist beyond it? I notice a lot of us glitching to find the right syntax—the reaching and then overuse of words like cathedral, sanctuary, and altar to describe everyday longing for meaning.

Are we running out of words or just our capacity to access the imagination? The power to find connection between two disparate entities and put them into conversation with the other. The willingness to dig beneath the surface for new words sprouting in the wild undergrowth of these times. Mutuality—yes, let’s. Momentum, yes, let’s go.

And let’s let go.

I’ve been reading a lot about hypnosis as a way to heal from inexplicable ailments. What I’m realizing is that hypnotherapy is a lot like writing, or rather, creative writing is a lot like self-hypnosis. The power we give ourselves to time travel, reverse and unravel narratives, go back to the restaurant where we ordered the fish that caused violent vomiting and order something different off the menu! Under hypnosis, the power of suggestion alone can erase lifetimes of anxiety and disease, if you believe.


Under a writing spell, we can say the same is true. If I close my eyes right now, I can take myself back to the tropics—to a palm-tree state of consciousness—and spend two whole days in a dark room under a whirring fan covered in thin sheets, sleeping off the jet lag and letting my brain relearn the call of certain birds that only exist here. 

When I lead creative writing exercises, I use very similar techniques as a hypnotherapist—to mine stories and images from the theta state. It’s not that we’re getting very sleepy, it’s that we’re getting very alert to other rooms in the mind’s mansion. When the body’s deeply relaxed and the mind’s lucid and awake, mutuality and momentum.

If you’re not there, it’s easy to giggle through a hypnotherapy session. The one I listen to at night on YouTube reminds me of a melodramatic auctioneer, playing with cadence and flair. But strangely enough, she takes me there, to the deep down places where language doesn’t travel.
 And in these states, I relate to various realities unavailable to me when I'm awake. There's something about the depth, for lack of a better term. 

I went a few years ago to a therapist who specializes in past life regressions, and she also led me down an escalator in an airport to a deep down place where I then looked at my feet and discovered burlap sandals instead of the black boots I’d worn when I walked into her office that freezing cold spring day. I watched at least one version of myself die—according to this session—mutuality and momentum at work—I was a holy scribe!

In other lives (inside of this one) I’ve been a gardener, a narrative audio producer, a sound collector, a bread baker. In future lives, perhaps a bespoke perfumer; a tarot card reader, a hypnotherapist.

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On sun worship, absurd headlines, splitting worlds

4/7/2026

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A selfie of me and a fake sun, the harsh lightbulb inside a Target dressing room, circa 2010.

​IN A SINGLE CONVERSATION, we address gender construction, teleportation to a Waffle House in Georgia, prom etiquette in the age of AI, absurdist after-life headlines, ayahuasca trip visions—that one lady who saw her sister as a dense purple rock.

There’s only so much content we can consume in a day’s scroll before we start to question the nature of reality—this “splitting of worlds” through absurdism. When we see absurd headlines, some of us will want to call out the delusion, others will file it away as signs of spiritual awakening. That the New York Times ran the story—about the FEMA official who swears he was teleported multiple times to a Waffle House—is beyond me, and sets a dangerous precedent.

And yet, a red cardinal just flew past my window and I’ve convinced myself that he’s my father, flitting away with his day after a quick wave-wink of his wing. We’re struggling to hold all possibilities in the absence of any solid path out of the present, chaotic moment.

A war-mongering maniac has taken the wheel and we have to keep waking up—many of us without work—to make it through another day without losing it. It’s an hour-by-hour kind of arrangement, isn’t it?

Nearly 100 years ago, life may have been very similar, at least according to Thomas Merton, who documented his time as a student at Columbia University in 1935, and described the mayhem and fervor with which communists on campus snarled at anyone who raised a question about their tactics and morals. Taking an anti-war stance is one thing, adopting the tactics of your enemy to enforce it is quite another. At some point, time itself lifts the veil on all these contradictions.

“[Communists] are always crying out against the injustice of capitalism and yet, as a matter of fact, they very often say in the same breath that the very concept of injustice is simply a myth devised by the ruling classes to beguile and deceive the proletariat,” Merton writes.

Bless the young radicals who still have a heart, bless the tender ones who worry about water supply and try to reverse the curses cast upon us so long ago; bless the visionaries who vouch for another way through the caves toward commencement; bless the ones who have figured out how to care without the brand deals.

We need a porch revolution, it’s obvious. Sun worship is another option. I follow a young kid on TikTok who believes God found him through rays of sunshine beaming through his window. If I view his videos in the morning, I worry about the kid and wonder how he’s gone so far astray—feels like he needs a friend. If I view his videos at night, he’s a prophet and I’m ready to denounce my life to join his sun-worshipping services at any moment.

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On lake spirits and what it means to know a place

4/4/2026

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I TOLD MY PARENTS I would not return home from Zanzibar until I was ready, but I never felt ready so I never returned, until the pandemic boomeranged me back to the places I lived before I decided I was brave enough to move.

On one visit home, my father sat me down at Marilyn’s for a late breakfast and encouraged me to consider marriage and dismiss the discouraging example my parents had set for a good one. I told him I would think about it, but I never gave it much thought after that. Marilyn’s is now a Korean chicken spot, and it’s really good.

Until I left home, I shared a room with my little sister. I remember the posters I purchased as decor via Scholastic—grand prehistoric dinosaur scenes in vivid colors. I seemed to have had a thing for archaeology when I was a teenager. I chose dinosaurs as the invite for my bat mitzvah party at Lou Malnati’s too, and I begged my parents to let me spend a summer in Cortez, Colorado on an archaeological dig at Crow Canyon.

There was a time when I believed I could make direct contact with spirits from the past and I fell in love with Native American cultures and got a volunteer gig at the local museum, cataloguing Indigenous objects in the back room. I was around 15 and I thought this work was noble, so I learned how to bead the four directions on my jean jacket and read “Black Elk Speaks,” and attended a pow-wow sponsored by the American Indian Center in Chicago but at some point in college, I got the message that obsessing over native cultures was not “appropriate” and so I stepped way back and held on to these questions and connections in distant admiration.

I know Skokie, but not all of its swamp history. I know Zanzibar, but not its secret politics. I know Chicago, but not every story, just my father’s, the Kedzie-Humboldt ones, and only a few! I know Michigan, but the Michigan of my mother and her siblings, nothing else. South Haven, blueberries, the lake. I know Cambridge, too, but only for a year, an intellectual interloper of a kind. I swore I ran into at least one time traveler there who wore a cliched trench coat! Maybe one day I’ll know New Mexico, something more about Abiquiu, something more about Tesuque.

I thought I knew something about Wisconsin, we’d driven there enough times as a kid, but I really only know the murk at the bottom of Lake Delton, the mud slime between my toes as I tried to learn how to swim and failed and nearly drown and kept trying but remained evermore in level red, the shallow end, where tiny tadpoles jumped around my waist, and I had to let my counselors drop iodine in my ears after every session and amber liquid leaked around my freckled shoulders and I, in general, would have rather read a book in the shade!

One time, a close friend who is no longer a friend for reasons I will never quite understand convinced me to go with her to Devil’s Lake. We scrambled up the steep path to the tippity top of these rugged rock bluffs and I was resentful with exhaustion and sweat by the time we got to top but also an eagle soared overhead and the silence was a gift. It made me mad that she had not spent a moment considering my comfort or capacity, but there I was congratulating myself for what felt like a grand achievement—a quiet moment with awe-inspiring nature.
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This hike to the very top, and then the solo dip in the cool pool of the lake later that afternoon, was a corrective experience. Like I said, I’m a terrible swimmer and I don’t love water immersion but I remember floating on my back that summer day in the middle of the lake surrounded by rugged cliffs and understood why the HoChunk revered this body of water as sacred. I felt held by ancient spirits, cradled like a baby in its infinite arms.
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    Essays by Amanda Leigh Lichtenstein is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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    Bio:

    Amanda Leigh Lichtenstein is a writer, poet, editor and vintage collector based in Skokie, Illinois. 

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