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travel far now

a sporadic archive of rants & revelations from life on the road

substack essays

On leaving and returning, digital disarray, and why I still have a Florida number

5/20/2026

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I DIPPED IN AND OUT of the United States somewhat irregularly for about a decade in the years between 2008 and 2018, when my mother called me from Sarasota to tell me that this was it—that she was dying—that I should come home now to say goodbye.

I stared out at the sea a few weeks before I bought my ticket, wondering if I had it in me to make the trip back to a country that was becoming less and less recognizable to me. A friend urged me to go despite my reservations. “Do it for yourself,” he urged, “You might regret it if you don’t.”

So I booked a ticket to Miami and instead got stuck in Doha, with time to check out a calligraphy exhibit and walk through the old market, due to a wild blizzard in New York. My fellow passengers were pissed and swarmed the staff counter, pressing for answers and food vouchers. But I was content with the delay—I wasn’t sure where I belonged.

These were the years when my body was still cooperating with my whims to pick myself up and leave at a moment’s notice. I didn’t have to think much before a flight, though I’d developed a pretty intense prayer habit by then. Whenever a plane took off I had to stop what I was doing and name the people I loved like I was counting sheep.

In Doha, I determined to make the best of it, distracting myself with trips to the oil and oud shops, marveling at the most expensive wood chips in tiny glass jars lined up along the walls. I preferred the yellow resin nuggets of frankincense that wafted from the counters—the whole reason why I’d even stopped at these shops, I was following a scent.

Eventually, I would make it to the hospital where my mom had commanded a presence with impossible requests made to unassuming young men in food service who were inexplicably forced to wear black ties as part of their uniform. At some point, it was I who took to the streets of Sarasota to source my mother’s last food wishes—burgers and turkey clubs, for the most part, though they never seemed to get it right, no matter who was making it.

I missed out on a lot, I realized, while living in Zanzibar—cultural stuff, I mean. I contemplated this a lot while sitting bedside with my sleeping mother—the TV blaring her favorite show, “Wheel of Fortune.”

The United States had changed and so had I. I returned without a valid passport or license, I was living what felt like a fugitive’s life, in between legalities and identities. It’s why I still have a Florida number—I had to get a new SIM when I was there to even begin to find my way around, and eventually, the weird number grew on me and I have yet to change it, though I have nothing to do with Florida anymore—it was just a blip, really—a vortex.

For most of the years I spent in Zanzibar, I felt a sense of political security in the brackets of Obama. I spoke with pride to my Swahili colleagues about gay marriage, the dawn of a new era. I typed out furious me-too monologues from my laptop with shitty WiFi thousands of miles away from the nexus of this particular revolution. I thought I could live over there and still participate the wider conversation—and I did, or at least tried.

But it wasn’t until much later when I realized how much an entire generation had been sucked down the drain of a digital spiral that left us all bereft of any assured connection or coherence. It’s still sinking in how much we lost in the meme years, how much we gave up to the machines who now own much of what we shared and have positioned themselves to sell it all back to us, one soulful nugget at a time!

Those months in Sarasota with my mom made me think hard about where I was going next but Zanzibar kept calling me back. I would return several more times before the pandemic ejected me and spit me back out in Skokie, in the childhood home where I grew up.

For a while, I still texted in Swahili with old lovers and a few friends, even a taxi driver or two. But the self who spoke on those terms receded as this present self stepped forward and took the wheel. I think now about how that decade in Zanzibar shielded and protected me from the dismal disconnect of the digital age—how we were still sticking our toes in the sand and collecting shells while Facebook became a new kind of hell.

Everyone I knew there stayed curious about social media but didn’t throw themselves into it the way it was happening in the US. Farmers and fishermen still woke with the rhythms of the sun and the sea to keep each other company and bring home the goods.

At the guest lodge where I often stayed because I was smitten with the owner who became my love for a short time, I chatted with the young women who came sauntering into the compound midday carrying blue plastic buckets full of fresh fish still flapping in the fury of their fate. They’d come to hawk these treasures and usually sold out by the end of the afternoon.

I remember hearing "consultants" tell fisherfolk about special apps that could help them maximize on their profits and better predict the weather. But a lot of the ones I knew fished the way they’d always done it—in collaboration with god and waves—and I hope it stays that way.

It’s hard to believe that I haven’t been back to Zanzibar now in nearly six years. My mind-body-spirit no longer turns in its direction. I am more drawn to the chair in my backyard where I read books and drink coffee sometimes in the early morning, before the lawn-mower terror begins.

When I close my eyes and think of that place, I think of the generous sunlight on my skin, the way the day unfolded according to the heat, the way I didn’t—couldn’t—check my phone for anything, because all I wanted was right there in front of me.
​

Every once in a while I consider changing my Florida number to a local one. But keeping it holds me to an enduring truth I can't deny—that every detail of our lives is circumstantial—linked and woven into a reality we're tasked to make sense of, one strange circumstance at a time! 
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A mystical mama monologue, blue heron sightings, pie in the sky

2/28/2026

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Mama, it’s your birthday, which means it’s nearly spring, which means exodus and green buds and Queen Esther, stories of war, deception and peace. I hated the dressing up for Purim as a kid—I never understood the assignment. We made a lot of noise and learned vague lessons about good and evil, and later, my father explained to me quite carefully that there was really no such thing as good and evil—only consequences. Which hurt my little baby philosophical heart.

Mama, because it’s your birthday, I wish I could buy you the perfect burger from Wendy’s but you were always so picky about what they put on it, and even if it wasn’t the burger, you’d berate anyone who made you a sandwich for getting it wrong, and when you died, I looked up at the Sarasota sky and thought, that’s a perfect sun, and that’s a perfect cloud, and I thought, you’d love to eat the sun-cloud as a perfect sandwich.

Mama, I’m not sure what these words are coming out directed at you. It’s the last day of a monthlong assignment I gave myself to write daily and see what finds me. It’s you—asking for my attention, yet again.

OK, I’ll tell you about the last few days with you on earth. Your three girls walked through a park in the Amish part of town and saw a blue heron shimmering in a patch of sunlight in the river. So astounded were we by the heron’s beauty that Nina’s yellow amber beads broke and scattered everywhere like shooting stars. We laughed, we cried searching for them but never found them all. I’m sure there’s still a bead or two hidden like golden eggs in that park.

Mama, you taught us how to talk to strangers and so we talked to the ladies in their bonnets playing shuffleboard that day in the Sarasota heat. I never knew the Amish ladies from Indiana pooled money for the long bus rides south for the winter, snow birds. They denounced technology but made an exception for an engine that could pluck them from a winter of despair in the Midwest. It was fun to chat it up with them but then again, I knew you were dying and felt distracted.

Mama, when you sent me out for pies, I decided to do a story on them, the history of a famous Amish pie shop in Florida. I ate a lot of pie—for research. Key lime, French silk, apple. I met the lady who married into the tradition, and she was on mission to convince me that a marriage was forever and so was her devotion to a life of pies. They made thousands a week—and I wrote about this with the attention of a surgeon while you were making your cosmic transition. We got so many free slices, and I know you winked at me for that.

Mama, how silly to think I keep on writing into the void of a motherless future. It took me a while after you slipped out of here to realize that I wished you loved me, but not you-you, more like, a mother-you, universal-mother-love-you. I’m glad you came to me through the psychic medium to shake your hips and talk about your porcelain dolls and tell me you were healed and whole in out there in the heavens of your flea-market dreams.

Mama, I hear you in my head sometimes. “Mand,” “I don’t think so,” “Get out of here!” “Over my dead body.” Ha! You loved to say that. Now that you’re dead, I still try to not to make you mad, and hope you’re feeling proud of the way the three of us have figured out how to live our lives without you. It’s easier than we thought because we know you’re still here—just out there—real busy—on a long ride—hunting for a bargain or a treasure or a slice of pie out there in the clear, blue skies.
​

Transit Slips, #28
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Transit slips, an explanation

2/1/2026

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On this full moon in Leo, in the year 2026, on Sunday, February 1, in Skokie, Illinois, I return to my own website with intention to tend to this writing garden here as much as I am anywhere else. There's been so much debate and conversation around who owns our words depending on where we put them, and I've decided that while I try out these other platforms, I also want to let some of my ramblings and fragments land here, as I'm full of things to say and the courage to say them at this juncture, and want to honor this surge of encouragement! 

I'm calling these fragments "transit slips," to indicate the transitory nature of these writings and how they're emerging on the page. I read all morning and take notes. I let what I read lead me through the corridors of my mind and imagination. I gather up the notes and shape them into transmissions that feel like poetry with a narrative promise. I don't imagine anyone will find me here unless I point you in this direction and for now, that feels fine. Whoever may finds these words is a friend to me and these attempts at connection. Here's my first transmission in the series; I'll try to write one a day in February.

Why do the dying sometimes fear thieves among them? My mother believed I stole her gold bracelets at the nursing home in Sarasota. The police tracked me down to investigate. I had to prove I was her daughter who had taken the gold bracelets for safekeeping.

The problem was that I’d come all the way from Zanzibar and realized only once I was back on American soil that I lacked any form of current identification—a fugitive of sorts, escaping one life for another. My driver’s license had expired, my passport had expired; I was a daughter without documentation, accused of theft. Eventually, my name was cleared, but perhaps only due to the doubt others cast on the stories of the dying. I still have a Florida number from this time, from when I was trying to dial up a trusted identity to meet the demands of the moment.

Eight years later, I was the daughter who lived with her father as he was dying and helped him die. This was a more cosmic assignment between a lapsed poet and a lifetime jazz pianist, an alliance quite friendly to the philosophical porch musings that accompany such circumstances. That whole summer, we riffed as I tended to my toes with imperfect pedicures, my father sitting in the sunlight with crystalline questions about divine purpose and the inevitability of what unfolded—his unfolding. Like a true improvisational artist, his exit was gentle yet dramatic, like the final note he always struck at the end of each song.

This reminds me of a question I ask myself often: how did I end up staying so long at the Sri Aurobindo Ashram in Delhi in my early thirties? Well, I was drawn to mysticism and the wistful adventure of the spiritual sort. I also thought this money-saving move would give my sister and me more freedom to dash around the old city in search of silver, temples, and chai.

We ended up twice in the labyrinth of the wedding market. Unlucky in love, we purchased stacks of elaborate green envelopes with arched doorways for flaps. And then, of course, we paid for tickets to enter the pigeon hospital, where Jain devotees dedicated their days to healing sick birds. I took photos of magnificent yellow marigolds in heaps out front, but these images were lost to time.

At night, when we returned to our room in the ashram, it was so cold we climbed inside our sleeping bags and slept in layers of all we’d packed, including our pink wool socks. A portrait of “The Mother” hung above our heads, next to a list of her commandments, among them being “No gossip.” It was too cold not to gossip, and so we kept ourselves warm with one story after another about other people’s flaws until we’d started a fire in our minds.

Ask me anything about failure, folded notes, ancient alphabets, elder care, diplomacy, and porch pedicures. Ask me anything about writing when it doesn’t matter anymore, returning to live in your childhood home, taking sandwich orders from an angry dying person; clarifying one’s henna design desires to a disgruntled artist on her ninth client of the afternoon; apologizing for one’s inadvertent colonial tendencies while traveling—for example, asking for ice. I attempted to tread lightly, but I know I left muddy footprints wherever I once walked. Ask me anything about traveling without an itinerary or enough money for a return flight home. Ask me about coming home.
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    Essays by Amanda Leigh Lichtenstein is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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    Bio:

    Amanda Leigh Lichtenstein is a writer, poet, editor and vintage collector based in Skokie, Illinois. 

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