travel far now
  • About Me
    • Newsletter
    • Image Gallery
    • Contact Me | C.V.
  • Writing
    • Journalism & Essays
    • Poetry
    • Travel Far Now: Blog
    • Public Poetics
    • Digital Engagement
    • Residencies & Awards
    • Writing Philosophy
  • Editing
    • Books
    • Editorial Services
    • Editing Philosophy
  • Consulting
    • USA
    • East Africa
    • Consulting Services
  • Teaching & Learning
    • Slow Savor 2026
    • Past Workshops >
      • Creative Writing: Zanzibar
    • Inquiry & Scholarship >
      • Kanga Research
    • Break Arts
    • Teaching Philosophy

travel far now

a sporadic archive of rants & revelations from life on the road

substack essays

Do you expect a reply when you gaze at the sky?

5/12/2026

0 Comments

 
Picture
TO GAZE AT THE SKY expecting a reply may lead to disappointment. We reach and yearn and track the stars for clues but may not ever hear the voice coming from out there—beyond the reach of our imaginations.

My friend Francois told me once, when we were both living in Zanzibar, to get a grip on my expectations. I’d been reeling over the wayward direction of a failed romance with a local man who had morphed from lover to stalker and it was all becoming a bit too much. Francois warned me that expectations of any kind would only lead to further disappointment. I knew he was right and I eventually gave up and licked my wounds.

But then I met a new man with a lot of the same problems—a heavy drinking problem, a rebellious relationship with religion, a wild disdain toward foreigners who looked like me—and yet, the early days of this new romance filled my heart with new expectations of belonging and connection. Francois reminded me that expectations would lead me down the same dark path and to surrender them at the door to my future self.

I knew my friend was right but I kept falling deeper into the dream of a future with this man until that relationship crashed out in strange and unpredictable ways. One minute I’m holding him after a drunken night of threats and he feels like a baby in my arms, wearing a soft red t-shirt and sarong, the two of us resting like sardines on a sofa tucked away in the corner of the upstairs patio looking out at the Indian Ocean. The next minute, I’m shouting at him to give me the keys to the car to save our lives.

Then the pandemic punctured any expectations about my life in Zanzibar and I left a pile of long, light dresses in my lover’s tiny bedroom and asked him to keep an eye on my belongings but I think we both knew in some deep down way that I wasn’t coming back to collect them. A few years later he sent me a photograph of my pile of dresses in a simple Whatsapp message, inquiring about my overall well-being, and did I even want them anymore? Of course, I told him no, and to please gift them to anyone who needed a dress.

I’ve learned to loosen expectations but I do think it’s important to our survival to have them—however much they veer from their intended shape or sequence. Expectations are thorns but they’re also seeds, aren’t they? I don’t know. Are expectations forms of craving and clinging or are they prayers for what’s to come? I suppose it’s been useful to let people truly be who they are—the expectation that we could change anyone is absurd, I know that now. But living with no expectations is the kind of advice I shuddered to receive.

I expect with the time I have to keep writing if my mind allows it and my body agrees. I expect to find a way forward and squeeze whatever joy out of the days I have as long as I have the will and spark to try. I expect to deepen my connection to the invisible—within and out there—to gaze at the sky and listen for an answer—a voice—a question echoed back to me from the great void.

​Nothing more, nothing more. Nothing less.

Note: The idea of gazing at the sky and expecting a reply comes from a particular passage in the book "I Who Have Never Known Men," a horror story about a group of wandering women—former prisoners—who have to learn to survive in a desolate, absurd world. 
0 Comments



Leave a Reply.

    Creative Commons License
    Essays by Amanda Leigh Lichtenstein is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

    Field Notes

    June 2026
    May 2026
    April 2026
    March 2026
    February 2026
    October 2017
    July 2017
    December 2016
    March 2015
    July 2014
    June 2014
    April 2014
    March 2014
    November 2013
    October 2013
    September 2013

    Shelves

    All
    Acting
    Addis Ababa
    Aging
    Aloe Plant
    Ambitions
    Anthropology
    Art
    Astrology
    Awareness
    Bat Mitzvah
    Beauty
    Belief
    Belonging
    Blessings
    Book
    Book Review
    Books
    Bwejuu
    Camp
    Change
    Chaos
    Chicago
    Childhood
    Christian Wiman
    Cities
    Clock
    Coexistence
    College
    Connection
    Consciousness
    Conversation
    Creative Nonfiction
    Creative Practice
    Creative Writing
    Creativity
    Deadlines
    Death
    Decisions
    Desire
    Dream
    Dreams
    Dying
    Dystopia
    Dystopian Novel
    Elders
    Emdr
    Encounter
    Entropy
    Estate Sales
    Exile
    Experience
    Faith
    Familiar
    Family
    Fate
    Father
    Fiction
    Forgetting
    Friendship
    Friendships
    Future
    God
    Grandmother
    Guitar
    Healing
    High School
    Holy
    Home
    Hope
    Hypnosis
    Identity
    Imagination
    India
    Interview
    Iran
    Islam
    Islands
    Jewish
    Jewish Literature
    Jewish Thought
    Journalism
    Judaism
    Language
    Learning
    Letters
    Library
    Life
    Liminality
    Literary
    Literature
    Longing
    Love
    Malaria
    Marjane Satrapi
    Martin Buber
    Medicine
    Meditation
    Memories
    Memory
    Metaphor
    Michigan
    Midwest
    Mind
    Monasteries
    Monks
    Moon
    Mother
    Mothers
    Mwera
    Mysticism
    Myth
    Pain
    Palestin
    Palestine
    Paradise
    Paradox
    Parents
    Past
    Past Lives
    Patience
    Personal Essay
    Personal Narrative
    Place
    Poetry
    Presence
    Prison Island
    Proximity
    Questions
    Reader
    Reading
    Reality
    Rebecca Solnit
    Reciprocity
    Relationships
    Religion
    Retreat
    Road Trips
    Saints
    Sarasota
    Saudade
    Sauti Za Busara
    Scar
    Secrets
    Self
    Senses
    Silence
    Simone Weil
    Situation
    Smoking
    Social Media
    Spirituality
    Story
    Strange
    Strangers
    Surrealism
    Swahili
    Swahili Proverbs
    Takaungu
    Teaching
    Theater
    Therapy
    Time
    Time Travel
    Time Traveler
    Transit Slips
    Translation
    Travel
    Traveler
    Truth
    Trying
    Waiting
    Weddings
    Wisconsin
    Witness
    Women
    Word Play
    Words
    Workshop
    Worship
    Wound
    Writer
    Writers
    Writing
    Writing Life
    Zanzibar

    Bio:

    Amanda Leigh Lichtenstein is a writer, poet, editor and vintage collector based in Skokie, Illinois. 

Proudly powered by Weebly